If the audience knows what's behind the door and the actor does not, that's comedy. If both the audience and the actor do not know, that's mystery!
I have a work-out regime; I am not a maniac. It sounds cliche, but stand-up comedy, doing a one-man show, helps keep me young, and yes, it is exhausting, but I don't collapse.
Comedy is still alive, and there are still funny people. Jews are still overrepresented in comedy and psychiatry and underrepresented in the priesthood. That immigrant Jewish humor is still with us.
My thing was always more character-driven comedies, not sketch comedy - not that there's not room for both or one isn't enjoyable, just my personal taste, I like movies that comedy comes from out of flaws of people, things that are uncomfortable, out of tragedy.
I'm not afraid to take on somebody or say something that somebody will find offensive because unfortunately in comedy, you can't say anything really good without offending somebody.
My mom is very good at being passive-aggressive, and my Dad is a total wiseass, so I think the mixture of the two of them is my comedy. But, I am definitely the first comedian in my family.
The girls that I grew up with, and my friends and I, we just never had interests in common. I loved comedy. I loved Saturday Night Live, Gilda Radner, Lucille Ball, and Goldie Hawn movies. I just wanted to laugh. I liked women in comedy, and I liked male comics as I got a little older. My interests just never matched up with other girls'.
The whole acting and Hollywood [thing], it's just work to me. Stand-up comedy ruins you so badly for doing television. I don't really need to be known anymore than I am. The slight sliver of fame I do have is hard to deal with. If I was actually well-known - I don't even know what to say to people who are at my show when I walk into the venue, much less having waitresses in diners asking for my autograph.
I just want to work with talented people who are enjoyable to be with, and take big huge risks from high comedy to deep, dark, brooding drama, to thriller. I just want to go back and forth.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
I came to the conclusion that in comedy, everybody gets what they need, whereas in horror, everybody gets what they deserve. I decided that at the end of the day, I was going to give everybody what they needed.
I come from a very expressive family, so it's really not surprising that we became actors. There was a lot of real-life drama in our house. Some of it was drama, some of it was comedy and some of it was comic-tragedy.
My gift was in comedy. I found out I could make jokes. I could tell jokes. I could write them. So over the years, that's what I've done.
I'd always wanted to be a dramatic. Comedy comes more naturally to me. I can do it with more facility. So I feel more comfortable with it.
I want to do more drama. Comedy is the path of least resistance for my company. People know we can do them. People know they get a good response. People want to make them. Who am I to push up against that?
When I first started doing my stand-up act, I played the banjo, did comedy, magic tricks, juggled, read poetry. I stuck it all in. I didn't know you were supposed to just stand up and tell jokes. Essentially, that's what my act became: those five elements - except I dropped the poetry.
In Australia, I'm built up as this comedy hero, which was never my intention.
Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
There’s a fraudulent root element of comedy in that we say things night after night as though they are rolling effortlessly from the brain and off the tongue when in fact they are crafted over weeks and months and years.
I love Buster Keaton and I love physical comedy when it's done in an emotionally understated way. I just like to play it, and I need the attention.
I would like to get back to making people laugh. Before drama school, I did nothing but comedy.
Saturday Night Live was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
There are a lot of comics at the top end making staggering amounts of money and selling out stadiums. I think stand-up is a more intimate thing than that. Maybe because of the kind of comedy I do. It's like a discussion, but I'm the one with the microphone.
Recognition is one of the three big elements of comedy.
I think I would love a shot at remaking 'The Philadelphia Story,' as daunting as it is. I still think it's fantastic. I love the '30s comedies because they're allowed to be both comic and elegant, and the women are so complicated in them.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: