I want every day to be the most boring news day ever. I want every day to be about spelling bee champions and baby basketball. It's better to have no comedy material than a horrific news day.
My thing was always more character-driven comedies, not sketch comedy - not that there's not room for both or one isn't enjoyable, just my personal taste, I like movies that comedy comes from out of flaws of people, things that are uncomfortable, out of tragedy.
People will remember a good comedy song a lot longer than they would some of the so-called straight love songs.
There can be a science to joke writing, there are certainly rules and patterns that can be followed, but I think most of the best comedy goes beyond the rules.
Comedy is just one of the many professions that women are taking over.
What begins with comedy ends with comedy... in my short view of the matter.
I think that Canadians have an incredible reverence for authority and regard for authority, and I think one of the healthy ways that it's challenged is through questioning it, through the polite hostility of comedy.
The striking thing about New Girl is that under all the comedy, theres something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
And all the time - such is the tragic comedy of our situation - we continue to clamor for those very qualities we are rendering impossible. We make men without chests and expect of them virtue and enterprise. We laugh at honor and are shocked to find traitors in our midst. We castrate and bid the geldings be fruitful.
It seems to me that making escapist films might be a better service to people than making intellectual ones and making films that deal with issues. It might be better to just make escapist comedies that don't touch on any issues. The people just get a cool lemonade, and then they go out refreshed, they enjoy themselves, they forget how awful things are and it helps them - it strengthens them to get through the day.
I love 30 Rock. It's one of my favorite shows. It's certainly the gold standard of comedy writing.
Deeply funny musings and adventures elevate Paul Rudnick to the highest level of American comedy writing.
My purist comedy friends accuse me of being a Jack of all trades and master of none.
Once I was in college, I was actually trying to write a comedy screenplay and I wrote basically the worst movie ever and just threw it away and never showed anybody. Everyone needs to get that first bad screenplay out of your system before you start writing other stuff.
I think comedy directors tend to feel a need to justify the bad behavior, and I just never think that. I like bad behavior, I've always liked bad behavior, I'm a fan of bad behavior, and I don't think you have to justify bad behavior.
With Attachments, my goal was to write a really good romantic comedy. I wanted the reader to be smiling throughout.
I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
It's the idea that we as people can control our own destinies. The government and the corporations, more even than the government, can't dictate what artwork we're supposed to like or what comedy we're supposed to laugh at.
I've probably done the odd thing. I've probably done more than I would have done and some things you don't say no to. You don't say no to working with "The Simpsons"... the greatest comedy show on television. You mustn't. Even though going to my bad judgment, I remember saying that all I can do is make this show slightly worse.
I think comedy is the hardest actual form of writing there is.
I think that when you’re doing a comedy and it makes you laugh, there’s a certain… like you can reject it, and it’s okay. It’s not promoting it or making it seem cool. I think that’s when you get into hot water.
I consider myself a sit-down comedian really, as much as anything else. I love comedy. Life is a cosmic joke.
I'd just like to retire quietly with dignity, secure in the knowledge that no more comedies will ever be made now that I'm gone.
Comedy is a very personal thing, as you would know if you've ever told the same joke to two people and had one of them laugh their head off and the other one look at you as though you were a completely cretin.
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