I'm an actor. I've always been an actor. I've always approached all my comedy as an actor. I don't really care about jokes either. I tire of jokes.
I'm not used to be the adult. I'm not very good at being the adult. To some regard, I wanted to just hang out and joke around, like I would normally, but I had to try to find the movie to shoot.
When you watch an audience watching my movies, you realize that nobody laughs at the same time. Some people enjoy a beat, and then another group of people are laughing at a sight gag, and then someone laughs where nobody laughs before. They're not timed like a comedy. You're not supposed to laugh at every joke. You decide.
That's what happens with most comedies. If you watch 10 minutes and there's no joke, then you're disappointed because you're expecting jokes. The same goes for emotional movies. You have to feel something. If you don't feel anything for 10 minutes, you get bored.
Who could quarrel with Clark Gable? We got on well. Whenever anyone on the set was tired or depressed, it was Gable who cheered that person up. Then the newspapers began printing the story that Gable and I were not getting on. This was so ridiculous it served only as a joke. From the time on the standard greeting between Clark and myself became, 'How are you not getting on today?'
I think the nerves aspect is a bit of a joke. How hard can it be to walk up and down in a straight line? You just need to put one step in front of another, most people do it all the time. What's the worst that can happen? You fall over. Sometimes that happens to non-models too, it wouldn't be the end of the world.
The public is gullible. ... If [many satirists are] making the same joke, that's the danger. Then there's a solidifying effect and it becomes a truth.
I have seen so few films in which the sex felt really respected by the filmmaker. Hollywood too often shies away from it or makes adolescent jokes about it... Sex is only connected to the negative because people are scared of it.
That's what my books are, now that I'm a grownup - mosaics of jokes.
The trouble with the jokes is that once they're written, I know how they're supposed to work, and all I can do is not hit them. I'm more comfortable improvising. If I have just two or three ideas and I know how the character feels, what the character wants, everything in between is like trapeze work.
Trans people deserve something vital. They deserve your respect... If you want to call me names, make jokes, doubt my intentions, go ahead, because the reality is I can take it. But for the thousands of kids out there who are coming to terms with being true to who they are, they shouldn't have to take it.
There are elements of that, where you'll see a scene again and you'll recognize it, but I wouldn't say it's got one conceit like that, at all. It definitely has those jokes, but it would be wrong to say this is a show where, every time you see it, you see a new angle.
I can't imagine saying the same joke for three hours. I don't know how that would work.
As long as I could hold a pencil, I was drawing and telling stories and making jokes. I've just been lucky that no one ever stopped me, and now I can do that for a living.
The generations that were exposed to sitcom have the people actually saying the line, saying the joke, whereas sort of before that you have much more observational humor.
I'm a joke comic. I tell jokes.
A satirist is someone who has a very skeptical view of human nature, but who still has the optimism to make some sort of a joke out of it. However brutal that joke might be.
I certainly had qualms about writing my piece in the first place, since I knew I couldn't express my disdain for many of Rev. Falwell's teachings. But I don't regret having written about the sides of Rev. Falwell that had nothing to do with politics or religion - his grandkids, his ministry for ex-alcoholics, his penchant for practical jokes. I think it's important to recognize the humanity in everyone, even those we strongly disagree with.
When I write, I create really absurd situations which become false because I am after the joke.
Sometimes it's hard to tell if a joke is working or not for the first couple of minutes.
If a handful of people look at the making of the film and realize, "Oh, my god!" It was so complicated. It was like doing quantum physics calculations every day while you're telling a joke. It was so insane! So, they can feel my pain.
Sometimes I use my jokes as building blocks for larger bits. I like to draw and play music, so sometimes I do those things along with the jokes.
And there's so much extra material. I mean, I've certainly read as you asked about do I read reviews and stuff, like people are like none of the jokes in the trailers are like in the movie. And it's like and we have whole sequences and scenes that weren't in the movie.
Sure, retarded jokes write themselves. But the spelling is always way off.
As an actor, it's always fun when you're able to feel like there's freedom to explore things and try out jokes and be funny.
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