I'm not a comedy writer, I'm a comedian, so I only write stuff that I would want to say.
I always wanted to be a comedian. I loved comedy since I was a little kid, and while I was at university I started doing stand up shows. Once I realized that I was good at it I quit college and left although I had six months left. I went to England. I could have done the last six months but I realized that I was better at standup comedy than I was at singing opera.
I wanted to do the comic strip. I tried to get it syndicated, and I sent some examples to a syndication company, and they sent me a rejection letter! I wasn't smart enough at the time to realize you shouldn't let rejection letters stop you. I thought that rejection letter meant I was not allowed to be a cartoonist in this world, so I put the rejection letter down and said, well, I'll be a stand-up comedian.
Many comedians consider themselves to be cutting edge. But why do we have to use the knife for the analogy. Let's use the spoon. I like to consider myself the big bowl-like area of the spoon that holds all the stuff you like.
I just want to kind of tackle every kind of form that exists in the comedy world; whether it be stand-up or hidden camera or parody. Kind of slap it in a movie with hip-hop artists and actors, comedians and girls. I just want to do something fun.
When somebody mangles one of my jokes, that bothers me more than somebody saying that I'm the worst comedian ever.
I'm not a politician, I'm a comedian. I know my limitations.
I love music. I've always wanted to do music, even when I started out as a comedian.
If you like standup and decide that it's overtaking your life and want to hate it, watch 1,000 standup comedians who are trying to get on a TV show.
I found a great deal of relief and excitement watching comics when I was very young. My grandmother was very into them and so was my grandfather. They had a profound effect on me, so I just found myself watching comedians on the after-school shows: Merv Griffin and that kind of stuff.
Whether people know the evolution of the conversation or not, I don't know, but thematically, as a comedian, I stay in the same ballpark - around my issues and my philosophy of life.
I am a comedian but it's usually not a compliment to be called a prop comedian but I guess I sometimes use props. And I always confuse humorist with comedian. That's strange.
I think that if you, as a comedian, are trying to be in people's face, then you've got to come up with new stuff every year. We're in a mass consumption phase where people take things for granted and want things to be instant when these are not things that can be instant.
Audiences have proved time and again that they don't want a steady diet of any entertainer airing his social views - especially if he's a comedian.
The classic comedian says there's nothing that's taboo; if you laugh at one thing you've got to laugh at everything, that comedy is taking people to dark areas and showing them the light.
If a man smiles all the time, he’s probably selling something that doesn’t work.
But nowadays everybody's a comedian, even the weather girls and continuity announcers. We laugh at everything. Not intelligently anymore, not with sudden shock, astonishment, or revelation, just relentlessly and meaninglessly. No more rain showers in the desert, just mud and drizzle everywhere, occasionally illuminated by the flash of paparazzi.
I've often heard it said a preacher might learn with a comedian for a teacher.
I like video games, but they're really violent. I'd like to play a video game where you help the people who were shot in all the other games. It'd be called 'Really Busy Hospital.
Two cannibals were eating a comedian, and one of them turns to the other and asks, 'Does this taste funny to you?
Because they're probably long gone. Are you hurt?" Gabe asked with enough urgency that she realized he must have felt shiver in delayed reaction to the hole in the door. "No. No, I'm okay. What a about you? Are you hurt?" "Only if you count the fact that you damned near ripped off my plumbing groping around for my phone." She made a sound of exasperation. "Now? You pick now to become a comedian?" "It's all about timing," he whispered back.
In the most basic terms it was about how when we experience art without critical awareness we consent to the ideas being promoted, either intentionally or unintentionally, by the filmmaker. For instance, if you watch a racist comedian and laugh at his jokes, you are consenting to the prejudices inherent within them. Similarly, if you watch a movie which perpetuates conventional ideas about race, gender, etc., you are consenting to them and not affecting change in any way.
Most people with low self-esteem have earned it.
Just when I discovered the meaning of life, they changed it.
To steal ideas from one person is plagiarism; to steal from many is research.
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